CURRENT Max Kade writer-in-residence
Christopher Kloeble is a German novelist, playwright, and scriptwriter. He studied at the German Creative Writing Program Leipzig and at the University for Film and Television in Munich, and he has held teaching assignments and residencies in Germany, the US, UK and India, among others. His plays U-Turn and Memory have been staged at major theatres in Vienna, Munich, Heidelberg and Nuremberg. For his first novel Amongst Loners he won the Juergen Ponto-Stiftung prize for best debut 2008; his second book A Knock at the Door appeared in 2009. The third, Almost Everything Very Fast, was published in English with Graywolf Press (USA). His first film script, Inclusion, was produced in 2011 and nominated for the Prix Europa 2012 for Best Movie Script. His new novel, The Shadows of the Salz Family, which Kloeble is currently adapting as a feature film, came out in 2016. His first non-fiction book, Home Made In India, is forthcoming in 2017. Kloeble lives in Berlin and Delhi.
Kloeble is teaching the Level V course "Superheroes in German Literature and Culture" during the Spring 2018 semester. His website can be found here.
Past Max Kade Professors
Dr. Doris Bachmann-Medick
Prof. Doris Bachmann-Medick, Permanent Senior Research Fellow at the International Graduate Centre for the Study of Culture (GCSC), University of Giessen, joined the Department as Max-Kade Scholar-in-Residence for the fall semester 2016. She teaches and writes on recent disciplinary, interdisciplinary and transnational developments in the Study of Culture. Her 2006 book Cultural Turns. Neuorientierungen in den Kulturwissenschaften. Reinbek: Rowohlt has become indispensable for students and scholars of literary and cultural studies and is now in its 5th edition (a revised and translated edition appeared earlier this year with De Gruyter: Cultural Turns. New Orientations in the Study of Culture).
Professor Bachmann-Medick taught an advanced undergraduate class on "Die Alpen: Image und Realität" (The Alps: Image and Reality) and a graduate seminar on “Cultural Turns: Theorien und Literaturbeispiele.”
Dr. Christian Sieg
University of Münster
Dr. Sieg taught two courses, one level V course for undergraduates: Radio Voices: Postwar Germany (GERM-327), and one graduate seminar on Modernism and Modernity (GERM-735).
Dr. Christian Sieg is a Fellow at the Cluster of Excellence ‘Religion and Politics’ in Münster. He studied at the Freie Universität Berlin and received his PhD from Stanford University in 2008. He holds a research position at Westfälische Wilhelms-Universität Münster where he is part of an interdisciplinary research center on religion and politics. He is the author of The Ordinary in the Novel of German Modernism (2011) and has published on 20th and 21th century literature, culture and philosophy. Currently, he is finishing his second book on political authorship in post-war Germany.
Dr. Sieg’s webpage is available here.
Prof. Dr. Hans-Michael Speier
Founder and publisher of the literary magazine PARK: Zeitschrift für neue Literatur
Author of several poetry collections including Haupt-Stadt-Studio (Aphaia-Verlag, 2012)
Dr. Speier is an award-winning poet, translator, and literary scholar living in Berlin. His poetry has appeared in eight volumes and over 40 anthologies and has been translated into ten languages. In 2007 he received the Schiller Award. He was awarded the “Literaturpreis der A und A Kulturstiftung” in Spring 2011.
Prof. Dr. Helmut J. Schneider
Professor em., Universität Bonn
Prof. Schneider's previously held positions at the University of California, Irvine (1983-1990), and Davis (1990-1993). A frequent visitor to the United States, he also has been a guest professor at Stanford University; University of Virginia, Charlottesville; Ohio State University, Columbus; University of Indiana, Bloomington; Harvard University; University of Washington, Seattle; George Washington University, Saint Louis; Georgetown University. He has published books on German and European literature of the 18th/19th /20th centuries, in particular: the history of the pastoral and the German idyll; landscape and utopia; body paradigms in the classical age; Lessing, Kleist, and Goethe; classical drama and theater. In 2011 he published the book Genealogie und Menschheitsfamilie: Dramaturgie der Humanität von Lessing bis Büchner (2011).
Prof. Schneider’s webpage is available here.
Prof. Dr. Hans-Michael Speier
Please see text above.
Birgit Dahlke, Ph.D.
Max Kade Visiting Professor, Humboldt University
Professor Birgit Dahlke has broad ranging expertise in modern and contemporary German literature, with particular foci in gender and canonization, life writing, interdependencies of race, gender and age, German unification, and literary and cultural life of East(ern) Germany. Having taken a German Literature PhD from Freie Universität Berlin in 1994 she got her Higher Doctorate (Habilitation) from Humboldt University Berlin in 2003. Major publications include books on underground women's poetry of the GDR (1997), youth and masculinity around 1900 (2006), and a biography about the East German poet Wolfgang Hilbig (2011). She taught not only in Berlin but in Urbana-Champaign/Illinois as well as in Nottingham/GB, Newcastle/GB and Toulouse/France. Please visit her website here.
Maxi Obexer taught one course, a level V course for undergraduates: Dramatic Voices: Myth and Conflict in German Drama (GERM-325). She also led several discussion group for faculty and students, and read from her dramatic work at a public reading.
Since becoming a fellow of the Literarisches Colloquium Berlin (LCB) at the age of 23, Maxi Obexer has been living in Berlin. In addition to her creative work, she regularly writes reviews and essays for newspapers and anthologies and was responsible for the literature section of the weekly magazine Freitag for several years. In 2014, she founded the Neue Institut für Dramatisches Schreiben. Currently she is a guest professor at Deutsches Literaturinstitut Leipzig.
Obexer is known for her political plays, audio plays, and essays. A main focus of her work is the condition of migrants and refugees, e.g. in her play Geisterschiff (Ghostship), which deals with a refugee catastrophe in the Mediterranean Sea. In her work Illegale Helfer (Illegal Aides) she addresses Europeans who move in the grey zone of legality, supporting refugees, asylum seekers, and other persons without a legal status.
Obexer studied comparative literature, philosophy and theater studies in Vienna, Austria, and Berlin. She received numerous fellowships and awards and was previously a Max-Kade guest lecturer at Dartmouth College in Hanover, New Hampshire.
Felicitas Hoppe, accomplished Berlin-based writer of fiction and world traveler, has been a Writer in Residence in the Department of German in the fall of 2008 and the spring of 2010. Her critically acclaimed works include Picknick der Friseure (short stories, 1996), Pigafetta (after having circumnavigated the world, 1999), Paradiese, Übersee (2003), Verbrecher und Versager (2004), Johanna (2006), Iwein Löwenritter (2008), Sieben Schätze (Essays, 2009), Der beste Platz der Welt (2009), and Hoppe (autobiographical novel, 2012).
Felicitas Hoppe has received a number of prestigious prizes including the Heimito von Doderer Preis and the Nicolas Born Preis (both in 2004), the Brothers Grimm Preis (2005), the Bremer Literaturpreis and the Roswitha von Gandersheim Preis (both 2007). In 2007, she was elected to be member of the Deutsche Akademie für Sprache und Dichtung. In 2012, she was awarded the Georg-Büchner-Preis, the most prestigious German literary prize.
In addition to being a Writer in Residence at Georgetown, Felicitas Hoppe has held guest professorships in Wiesbaden, Innsbruck, Augsburg and Göttingen and at Dartmouth College, New Hampshire, and has been a Writer in Residence at New York University.
The German Department has been fortunate to count George M. Roth Distinguished Writer In Residence Peter Schneider among its members. This association was made possible in 2001 through the estate of George M. Roth.
Born in 1940 and raised in southern Germany, Peter Schneider has greatly contributed to the literary and cultural life of Germany over the last four decades. After finishing his studies in German, History, and Philosophy in 1964, Schneider became a central figure in the 1968 Student Protest Movements in Berlin and Turin, Italy. After completing his Staatsexamen in higher education, Schneider began his career as a writer with his novel Lenz. After the success of Lenz in Germany, over twenty other novels, screenplays, and volumes of journalistic essays followed, including the English translated works Der Mauerspringer (The Wall Jumper, 1984), Extreme Mittelage (The German Comedy, 1990), Paarungen (Couplings, 1996), and Eduards Heimkehr (Edward's Homecoming, 2000). Schneider's screenplays were filmed by Reinhard Hauff - Messer im Kopf (Knife in the Head) and Margarethe von Trotta - Das Versprechen (The Promise). His essays can be found in Der Spiegel, Die Zeit, Frankfurter Allgemeine Zeitung, The New York Times, Time Magazine, and Le Monde.
Since 1985, Peter Schneider has served as a guest professor at Stanford, Princeton, Dartmouth, Harvard, Washington University St. Louis, and Georgetown University. During the 1996-97 academic year, Schneider was awarded a fellowship at the Woodrow Wilson Center in Washington, DC. Peter Schneider returned to Georgetown as the Parker Distinguished Writer-in-Residence in the fall of 2000 and took up his role as Roth Distinguished-Writer-in-Residence with the spring semester 2001. During the spring of 2002 he taught at the Emory College's Halle Institute as a Distinguished Fellow.